Most British birds of prey have largely recovered from historical persecution, but the beleaguered Hen Harrier is still struggling and remains far less common than it should be. This is a particular shame, because it is one of our most inspiring raptors. Spectacular sky-dancing displays and balletic food passes from male to female brighten up the moors in summer. And in winter, communal roosts in the lowlands attract birders from far and wide to catch sight of this now-elusive species.  This book follows the Hen Harrier over a year: from rearing young hidden away in dense heather, to the fight for survival in the harshest months of winter. Interspersed among the monthly accounts are chapters on the history and status of this iconic bird, as well as an overview of one of the most intractable conflicts in modern conservation: the Hen Harrier’s liking for grouse moors (and the Red Grouse that live there) wins it few friends among shooters, and ongoing persecution continues to hamper its recovery. There are tentative signs of progress, but its fate as a breeding bird in England hangs in the balance.    Evocative illustrations, in part based on privileged access to the handful of breeding birds that remain on England’s moors, showcase the Hen Harrier’s exploits through the seasons. These will delight admirers of this species and hopefully foster a greater interest in its wellbeing. The Hen Harrier needs all the help it can get.

'thoroughly recommended' -Country-side magazine The Red Kite (Milvus milvus) - one of our most elegant and impressive birds of prey - has a varied and dramatic history in Britain. Having been driven perilously close to extinction, it has now made a welcome comeback, in part through one of the most successful reintroduction projects ever undertaken. This beautifully illustrated book follows the birds through the ups and downs of the year, from the rigours of raising young during the warm summer months to the struggle for survival in the depths of winter. Interspersed with the monthly accounts, are chapters on the history of the Red Kite in Britain, the reintroduction programme, the threats it still faces, and its status elsewhere in Europe. Red Kite biology is explored from nest construction, egg laying and nest defence, through to juveniles leaving the nest and learning to live independently. The book concludes with an overview of Red Kite status throughout their range. With a foreword by Mark Avery.

'An outstanding book' Spectator The story of the short life and tragic death of Bowland Beth - an English Hen Harrier - which dramatically highlights the major issues in UK conservation. 'The sun was blood red as it broke the horizon and lit the communal roost where the female hen harrier had spent the night. She watched the other harriers as they left to go foraging for food out on the moor. She didn't join them, for she had felt a quickening in her body, an urge to move to Mallowdale Pike, a rocky crag from where she had fledged nine months ago. After preening, she lifted off from the roost and soared up over the fell.' David Cobham enters Beth's world to show what being a hen harrier today is like. He immerses himself not only in the day-to-day regimen of her life, the hours of hunting, bathing, keeping her plumage in order and roosting, but also the fear of living in an environment run to provide packs of driven grouse for a few wealthy sportsmen to shoot. The hen harrier is seen as a totemic species in the battle between the conservationists and ruralists, and as one of the key players in this emotive debate, David Cobham is uniquely placed to reflect on Beth's story. In this powerful narrative, he provides us with a profound tale which helps to illuminate the larger implications of the species' decline, highlighting the urgent need for conservation efforts to reverse this.

An engaging and beautifully illustrated full-colour guide to some of the most exciting wildlife in the world in an area about to see a significant increase in visitor numbers as a direct result of changes in the ice cover of the Arctic Ocean. Bradt's Arctic Wildlife is an ideal companion on board and on shore. A fascinating and informative read. Visitors to the far north cruise the Arctic coast in the company of humpback whales and belugas, see polar bears hunt ringed seals, and come in contact with a host of shorebirds and wildfowl gorging on the abundance of summer food. This revised edition includes new illustrations, a section covering the distinct flora and fauna of the Bering Sea and the revised version of the Arctic Code of Conduct. Tony Soper's expert knowledge is richly supplemented with full-colour illustrations by award-winning wildlife artist Dan Powell.

What do you get when you cross a Shakespearean with a middle school math teacher? You get Mr. Powell: a tool-belt-totin', Shakespeare quotin' maniac. One Man in His Time is his math teaching background delightfully highlighted with unlikely combinations of Shakespeare, philosophy, creativity, classroom barf, drivers' education, and the parent company viewed through his particularly unique and humorous perspective. He puts himself through a comical self-analysis but in the process honestly reveals himself to be vulnerable to personal failure and plagued by self-doubt. Mr. Powell may quite possibly be the most out-of-the ordinary middle school math teacher in the country.

In an introductory essay to Scene Shifting, Dan Powell speaks of his father’s influence on him in his youth. He describes growing up in the 1950s and 60s in the Roza District, a spacious agricultural valley that was etched out of the sage desert in South Central Washington. He also traces the impact that the nearby Hanford Atomic Works had on his family and the region. At an early age Powell’s concept of the American West was shaped by all three of these factors. The 101 black and white duotone images featured in this compelling volume are mostly from large format negatives (8x10 and 4x5). They highlight a particular period in Powell’s art practice, the 1980s and 90s, when he photographed in the high desert country of Oregon and Washington, as well as in Nevada, California, Arizona, Idaho, and Utah. Several images from the Midwest mark his graduate school experience and first teaching position, before he migrated back to the West to teach photography at the University of Oregon. In photographing the West, Powell was interested in the land as a dynamic theater, the constant shifting of events that moved through his view, on and off road. Points of intersection, the clashing of events where humans interface with the land, occur often within this fabric of beauty and wildness. Powell’s view of the West is broad and diverse, from the visual harmony found in the vastness of space and light, to ironic tensions found through chance and close observation. On one level, Powell was simply measuring his vision of the land against the memories of his childhood. In the second essay, “The Geography of a Life,� esteemed curator, historian, and author Keith F. Davis sheds light on the nature and particular qualities of the work, and on how it is deeply embedded in Powell’s lifelong experience with the West.